Bloodline
directed by Bruce Burgess
Cinema Libra Distribution
Before I start this, I'd like to remind you all that I do not believe in a "sky bully." Though, if you do, I do not judge. Everyone in entitled to their beliefs. To each his own.
Many thought the pillars of heaven were shaken with Dan Brown's movie adaptation of his bestselling controversial novel, The Da Vinci Code, but now, Bloodline provides a continued adventure in the search for truth in the history of Christianity.
What is taken away from The Da Vinci Code is that there is a secret organization, the Priory of Sion, that is guarding the "ancient truths and mysteries" about Jesus Christ: that he and Mary Magdalene were in fact married and produced children. Additionally, his crucifixion was true, however his death faked. In fact, the theory is that Jesus died 22 days after he was crucified, and Mary and their children traveled to France and began a royal bloodline. And now she has long since passed, but the bodies of her and Jesus are resting in a tomb in Rennes-le-Chateau, France.
The poster above is from a stained glass window in Kilmore Church, Scotland. Focusing on the details, one will notice both Jesus and Mary are holding each other's right hands, which in fact denotes a state of marriage during their lifetime. And focus on her stomach, or rather the fact that she is hiding a bump, indicating her pregnancy. Throughout the film, the viewer is constantly reminded that all the clues are right in front of us, if we cared to look. Though discovering this knowledge could come with a hefty price.
I enjoy adventure films; even documentary adventure films. This documentary certainly keeps your heart racing as you watch the story of a film producer and an amateur archaeologist unfold. However, in a time of technological reinforcement, the filmmakers do not hand over their findings to the right people. On C.S.I.: Crime Scene Investigation, evidence is put through the ringer; every form of test to back up theories and hypotheses are exhausted until the truth is revealed. This film did not back up their findings, which weakened their theories. Is that why this documentary only premiered in 2 theaters in the nation? Or because we are still One Nation Under God, and anyone seeking to threaten that principle shall be quickly silenced?
A large question raised here is if in fact the filmmakers are correct, why would this conspiracy have started from the get-go? Christ was persecuted by the Jews, died and was buried. And according to the Bible, he was resurrected and ascended to Heaven. But step out of the normal story for a moment. Christianity did not flow like a river after Christ's crucifixion. In fact, it was not until 300 A.D. that Emperor Constantine converted the Byzantine Empire over to Christianity. Over those 270 years, who would they be hiding this grand conspiracy from? The 11 disciples who did not sell Jesus out? Some thing does not make sense, at least to me.
Burgess might not have won the evidence fight; but was that really the objective of the filmmakers? Or was their objective to rejuvenate the theory that Christ did not die on the throne, and in fact, was human and no Son of God? The Da Vinci Code has its reign at the box office, but reinforcement is the only way to be sure people learn and remember. Another question raised dates back to the original Da Vinci Code release. If it is in fact a work of fiction, as Dan Brown has stated it is, why did the Roman Catholic Church instantly condemn it and blacklist it? Dd Brown stumble too close to something which so easily transcends into the discoveries made in Bloodline? And as Gil Grissom from C.S.I. would so cleverly remind his audience: "Concentrate on what cannot lie: the evidence."
Thursday, September 18, 2008
Wednesday, September 3, 2008
In Vino Veritas.
Bottle Shock
Directed by: Randall Miller
Unclaimed Freight Productions
Based On A True Story
In wine, there is truth. And how fitting a quote it is.
I'm not one for attempting to defeat the French or other countries for that matter. I have never promoted Freedom Fries and probably never will. Their history far outweighs our own here in the United States. We can learn a lot from them; like their healthcare system. Bottle Shock takes the fundamentals of making wine and adds its own Californian twist to it. And I'm not talking about raisins here.
Alan Rickman has been lighting up the theaters with some marvelous performances as of late. His role in Snow Cake is certainly as admirable as his presence in this picture. As seen above, his "snooty-ness" almost consumes his character, but with one sweet drop of Napa Valley nectar, he so easily discards what other wine snobs cling to as their Bible for Wine.
The dynamic between the characters are like plant and harvester; they need each other. They feed off each other. They're like a pairing of Merlot and Pont l'Eveque cheese; apart they are powerful, but together marks true perfection. Bill Pullman paired with Chris Pine bring out the inner most turmoil of their dutiful-near-broke-father hippie-son relationship. An intern and the head wine chemist sitting before a California vineyard, sharing a fresh bottle of the season. And the traveling wine aficionado being begged by every wine maker in the valley to try a bottled culmination of their blood, sweat and tears.
This film isn't so much about a cultural revolution and the United States fighting to win yet another war. Deep down, it is about connection. A father and son are trying to reach common ground. A winery intern is searching for her place to call home. A workhand is fighting for his piece of the pie, bottled in his own label. And a wine connoisseur is trying to connect with his audience, who have not stepped foot into his wine shop in London for a while. Savor the taste while it lasts, because no other film has brought the essence of wine-making to the silver screen like Bottle Shock.
P.S. Rest In Peace Don LaFontaine: Movie trailers will never be graced with your voice to guide them again.
Directed by: Randall Miller
Unclaimed Freight Productions
Based On A True Story
In wine, there is truth. And how fitting a quote it is.
I'm not one for attempting to defeat the French or other countries for that matter. I have never promoted Freedom Fries and probably never will. Their history far outweighs our own here in the United States. We can learn a lot from them; like their healthcare system. Bottle Shock takes the fundamentals of making wine and adds its own Californian twist to it. And I'm not talking about raisins here.
Alan Rickman has been lighting up the theaters with some marvelous performances as of late. His role in Snow Cake is certainly as admirable as his presence in this picture. As seen above, his "snooty-ness" almost consumes his character, but with one sweet drop of Napa Valley nectar, he so easily discards what other wine snobs cling to as their Bible for Wine.
The dynamic between the characters are like plant and harvester; they need each other. They feed off each other. They're like a pairing of Merlot and Pont l'Eveque cheese; apart they are powerful, but together marks true perfection. Bill Pullman paired with Chris Pine bring out the inner most turmoil of their dutiful-near-broke-father hippie-son relationship. An intern and the head wine chemist sitting before a California vineyard, sharing a fresh bottle of the season. And the traveling wine aficionado being begged by every wine maker in the valley to try a bottled culmination of their blood, sweat and tears.
This film isn't so much about a cultural revolution and the United States fighting to win yet another war. Deep down, it is about connection. A father and son are trying to reach common ground. A winery intern is searching for her place to call home. A workhand is fighting for his piece of the pie, bottled in his own label. And a wine connoisseur is trying to connect with his audience, who have not stepped foot into his wine shop in London for a while. Savor the taste while it lasts, because no other film has brought the essence of wine-making to the silver screen like Bottle Shock.
P.S. Rest In Peace Don LaFontaine: Movie trailers will never be graced with your voice to guide them again.
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